I finally went to see Twilight last night with Penny and we had a very nice time, as usual. I’ve been collecting Regal Cinema gift cards at work the past few years because there are no Regal Cinemas in New Jersey where I live, so I have about $60 worth of cards saved up. Agent K gives them out as incentive gifts and for anniversaries, so I was glad to use them.
The movie was good, and extremely faithful to the book. And as a lover of the book, I thought they did a very nice job of capturing almost exactly what the reader would envision when reading the novel. The only issue I have is if I look at the movie as a separate entity, as a person who had not read the book, and if I watched it in that headspace, I wouldn't have enjoyed it as much because there are so many meaningful looks and lines that sound corny out loud if you don't know the depth of emotions and unexplained (in the movie) motivations behind them.
Surprisingly, Penny enjoyed the movie a lot more than she expected to, since she is not a fan of “vampires that glitter” (which underscores somewhat our inverted biological/emotional ages, since she is a lot closer in age to the Young Adult demographic than I am). Her idea of a good book is Victor Hugo’s Les Miserables, which she’s currently reading, and we're planning to read Tom Robbins' "Skinny Legs and All" together when she's done with that, a book that Bug got me for my birthday. She thought all the actors who played the paranormals were very sexy though, especially the actor who plays Jacob Black, whom she thought would be a good casting choice for the lead character in the novel she’s writing (she just completed the first 50,000 words during NaNoWriMo last month).
For me, a big part of the fun of watching the movie was hearing how they used the soundtrack, which I’ve been listening to non-stop since it came out a few weeks ago. Hearing Muse’s “Supermassive Black Hole” erupt during the Cullen’s fateful softball game was a blast. In fact, I made my own Twilight-inspired mix on my iPod, since I don’t like every single song on the soundtrack album which incorporates some of Stephenie Meyer’s other picks from the entire series of books and some of my own emo-flavored tracks. My mix goes like this, with non-soundtrack songs marked with an asterisk:
Decode by Paramore
*Stockholm Syndrome by Muse
Spotlight (Twilight Mix) by Mute Math
Leave Out All the Rest by Linkin Park
Go All The Way (In the Twilight) by Perry Farrell
I Caught Myself by Paramore
Eyes on Fire by Blue Foundation
*Starlight by Muse
Flightless Bird, American Mouth by Iron & Wine
*Shadow of the Day by Linkin Park
*The Scientist by Coldplay
*World In My Eyes by Depeche Mode
*In the End by Linkin Park
*Forgiveness by Collective Soul
Decode (Acoustic Version) by Paramore
*I Will Follow You Into The Dark by Death Cab for Cutie
*Creep (Acoustic) by Radiohead
*Brighter by Paramore
*Halo by Porcupine Tree
*Sweet Sacrifice by Evanescence
*Time is Running Out by Muse
*Valentine’s Day by Linkin Park
*My Immortal by Evanescence
*Clocks by Coldplay
*Miracle by Paramore
*Vicarious by Tool
*Assassin by Muse
*Born For This by Paramore
*I Melt With You by Sugarcult
*She Will Be Loved by Maroon 5
*My Heart by Paramore
I’m actually going bowling tonight for the first time in years, the first of two company holiday parties this week. The last time I went bowling was also at a company outing, but with my old firm in Houston. I actually do like to bowl, but it’s hard finding the time and companionship to do so, just like playing tennis and basketball and other things I used to do. So we’ll see how well-coordinated I am after such a long layoff and so many changes over the past few years.